GALLERIES




Magyar



ART PHOTOGRAPHY / Dance


In ancient times the contact between dance and the self became indirect as clergy got a leading part in life.


 

Galleries in this topic

Béjart, Le Teck
Béjart, Le Teck, Dancer. Catherine Zuasnabar, JulienFavreau. The French-born Bejart set new standards during a career that spanned five decades, starting with his signature work, the 1959 staging of Stravinsky's "Rite of Spring," in which his dancers -- clad in sleek, shiny tights -- created an erotic aura with impulsive, natural movements that became a standard of …
Béjart, Elton-Berg
Béjart, Elton-Berg. Dancer: Karline Marion, Octavio Stanley és Stéphane Bourhis, Allan Fallieri
Béjart, Juan and Theresa
Béjart: Juan and Theresa The French-born Bejart set new standards during a career that spanned five decades, starting with his signature work, the 1959 staging of Stravinsky's "Rite of Spring," in which his dancers -- clad in sleek, shiny tights -- created an erotic aura with impulsive, natural movements that became a standard of …
Tricks and Tracks
Tricks & Tracks: Pál Frenák was born in Budapest, in 1957, and settled down in Paris in 1983. He established his own Dance Company in 1989, and made his first choreography in France the same year, titled “Ter”. In the following years, mainly staging improvisational pieces, he worked with György Kurtág, Patrick Schneider and several other contemporary composers. His first real hit was the Les Palets / Skate-boards; this show, just as all his other works, could be seen by the Hungarian audience as well, as part of the Budapest Autumn Festivals, or as individual performances. Since 1998 Frenák has been working more and more in Hungary, the majority of dancers of his Company are Hungarian. The premiere of his last three shows (Out of the Cage, Tricks & Tracks and his latest, the Festen/Feast ) were held in Budapest, in the House of Contemporary Arts, the “Trafó”.
Petruska 2009
Petruska, music: Igor Stravinsky, koraographer: Dmitrij Simkin, James Sutherland, Díszlet, jelmez: Dmitrij Simkin, Jelmez kivitelező: Győri Gabriella, Asszisztens: Horváth Gizella, Müller Ervin, Fény:Hécz Péter, Szcenika: Vidos Tibor. Táncolják: Petruska: Sebestyén Bálint Harangozó díjas, Mágus: Pátkai Balázs Harangozó díjas, Segédek:Dolbilov Alexey, Smith Daniel Ascher, Horváth M. Lilla, Gyurmánczi Diána, Továbbá a Győri Balett táncosai.
Joseph and his Brothers
Hungary Festival Ballet. Ivan Marko: Joseph and his Brothers
Splinters
Tamás Juranics: Splinters Stage-design and costumes: Zsuzsa Molnár Splinters, bits and pieces and fragments. Fragments of destinies, loves and lives that so often determine the whole, at times our whole life. A night, when the unreal plays a real role, thus enhances the chance for accidental occurrences. I do not wish to speculate on the big questions of life, nor to draw a lesson at the end of the show; my intention is to simply highlight the bits and pieces of human destinies, true and false loves, desires, every-day Mandarins, disappointments, broken hearts – splinters. Tamás Juranics.
Wisper of Angel's
Wisper of Angel's
The Miraculous Mandarin
“Three apaches at their den force a young girl to stand by the window and attract passing men into the room, men who will later be brutally robbed by them. There are three seduction scenes. The first man to be lured up is a penniless old man. The second is none better. However, the third man is a rich Chinese. The catch is good, the girl tries to dilute him with her dance and the Mandarin’s zest for the girl is aroused, he falls passionately in love with the prostitute. The apaches grab and rob him, stab him with a sword, smother and strangle him, but without avail: the Mandarin in love remains fixated on the girl. To save the situation, by a womanly instinct, the prostitute agrees to fulfill the Mandarin’s desire: The Mandarin and the prostitute embrace passionately and with his longing fulfilled, he dies in an ecstasy of love.”

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