András Kern

Attilla Kszel: Trainspotting

Nagy András, Emile Zola: Nana

Fridrich Schiller: Intrigue and Love

Artur Miller: A View from the Bridge

The seventies Jears

Dimensions

Romeo and Juliet. Ballet of Győr, Koreographer: Robert North, Music: Szergej Prokofjev, dancer: Szabina Cserpák, Balázs Pátkai.

Tricks & Tracks: Pál Frenák was born in Budapest, in 1957, and settled down in Paris in 1983. He established his own Dance Company in 1989, and made his first choreography in France the same year, titled “Ter”. In the following years, mainly staging improvisational pieces, he worked with György Kurtág, Patrick Schneider and several other contemporary composers. His first real hit was the Les Palets / Skate-boards; this show, just as all his other works, could be seen by the Hungarian audience as well, as part of the Budapest Autumn Festivals, or as individual performances. Since 1998 Frenák has been working more and more in Hungary, the majority of dancers of his Company are Hungarian. The premiere of his last three shows (Out of the Cage, Tricks & Tracks and his latest, the Festen/Feast ) were held in Budapest, in the House of Contemporary Arts, the “Trafó”.

“Three apaches at their den force a young girl to stand by the window and attract passing men into the room, men who will later be brutally robbed by them. There are three seduction scenes. The first man to be lured up is a penniless old man. The second is none better. However, the third man is a rich Chinese. The catch is good, the girl tries to dilute him with her dance and the Mandarin’s zest for the girl is aroused, he falls passionately in love with the prostitute. The apaches grab and rob him, stab him with a sword, smother and strangle him, but without avail: the Mandarin in love remains fixated on the girl. To save the situation, by a womanly instinct, the prostitute agrees to fulfill the Mandarin’s desire: The Mandarin and the prostitute embrace passionately and with his longing fulfilled, he dies in an ecstasy of love.”

Wisper of Angel's

Tamás Juranics: Splinters Stage-design and costumes: Zsuzsa Molnár Splinters, bits and pieces and fragments. Fragments of destinies, loves and lives that so often determine the whole, at times our whole life. A night, when the unreal plays a real role, thus enhances the chance for accidental occurrences. I do not wish to speculate on the big questions of life, nor to draw a lesson at the end of the show; my intention is to simply highlight the bits and pieces of human destinies, true and false loves, desires, every-day Mandarins, disappointments, broken hearts – splinters. Tamás Juranics.

Antonio Márquez: Reencuentros, Movimiento Flamenco The Antonio Márquez Dance Company Márquez had learnt the basics of his dancing skills first at the school of the Spanish National Ballet, later with renowned Spanish masters. He rose to fame in his country with his leading roles in ballets, and his unique, soaring dancing style soon paved his way to an international career. His buoyant, passionate dance and his distinct choreographies make his performances unforgettable. Márquez’s Dance Company made its debut on 7 November 1995, in Seville, at the Teatro de la Maestranza, staging the show „Movimiento Perpetuo”. In 1997 they won the Award Nureyev; a year later they were granted the Italian „Taranto Award for Best Entertainment” and the Spanish „Award for the Most Valuable Professional of the Dance”. As a consequence of their brilliant performance at the 50th Havana Festival, their name got inscribed in the Golden Book of the History of the Cuba Ballet”. From 1999 on, the Company has been touring the stages of the World, e.g. the Monte-Carlo Opera, Madrid, Athens, and Japan, Brazil and France and Hungary.

Food-photos and receptions

Wedding