GALLERIES
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ART PHOTOGRAPHY
I consider my way of seeing things to have been originated at the end of the 1960s, beginning of the 1970s. In those years I wandered throughout the country with my friends, often also by myself and later as a musician. It was maybe the impressions gathered during those years that helped the formation of my visual world. I think I have always been a contemplative type. Living near the City Park (Városliget) I watched passers-by and lonely people sitting on the benches at dawn or dusk. Of what I had not been aware at that time, my photos already revealed, namely, that deeper connections hide beyond the snapped moment, that things more often than not are not what they seem and the moment caught in the picture is but a code for the viewer.
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Vernal Victim 2009
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Vernal Victim: Music: I. Sztravinszkij. Choreography: Kun Attila. Costumes-Scenery: Molnár Zsuzsa. Assistant : Horváth Gizella. Fuch Renáta, Light: Kun Attila, Hécz Péter. Scenich: Vidos Tibor.
Dancers: Horváth M. Lilla, Sóthy Virág, Cserpák Szabina, Szalai Judit, Gonzales Otero Hassan, Varga Ágnes, Hardi Beatrix, Jekli Zoltán, Horváth Krisztián, Pátkai Balázs, Sebestyén Bálint.
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Tricks and Tracks
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Tricks & Tracks: Pál Frenák was born in Budapest, in 1957, and settled down in Paris in 1983. He established his own Dance Company in 1989, and made his first choreography in France the same year, titled “Ter”. In the following years, mainly staging improvisational pieces, he worked with György Kurtág, Patrick Schneider and several other contemporary composers. His first real hit was the Les Palets / Skate-boards; this show, just as all his other works, could be seen by the Hungarian audience as well, as part of the Budapest Autumn Festivals, or as individual performances.
Since 1998 Frenák has been working more and more in Hungary, the majority of dancers of his Company are Hungarian. The premiere of his last three shows (Out of the Cage, Tricks & Tracks and his latest, the Festen/Feast ) were held in Budapest, in the House of Contemporary Arts, the “Trafó”.
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Béjart, Juan and Theresa
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Béjart: Juan and Theresa
The French-born Bejart set new standards during a career that spanned five decades, starting with his signature work, the 1959 staging of Stravinsky's "Rite of Spring," in which his dancers -- clad in sleek, shiny tights -- created an erotic aura with impulsive, natural movements that became a standard of …
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Béjart, Elton-Berg
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Béjart, Elton-Berg. Dancer: Karline Marion, Octavio Stanley és Stéphane Bourhis, Allan Fallieri |
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Béjart, Le Teck
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Béjart, Le Teck, Dancer. Catherine Zuasnabar, JulienFavreau.
The French-born Bejart set new standards during a career that spanned five decades, starting with his signature work, the 1959 staging of Stravinsky's "Rite of Spring," in which his dancers -- clad in sleek, shiny tights -- created an erotic aura with impulsive, natural movements that became a standard of …
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