GALLERIES
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ART PHOTOGRAPHY
I consider my way of seeing things to have been originated at the end of the 1960s, beginning of the 1970s. In those years I wandered throughout the country with my friends, often also by myself and later as a musician. It was maybe the impressions gathered during those years that helped the formation of my visual world. I think I have always been a contemplative type. Living near the City Park (Városliget) I watched passers-by and lonely people sitting on the benches at dawn or dusk. Of what I had not been aware at that time, my photos already revealed, namely, that deeper connections hide beyond the snapped moment, that things more often than not are not what they seem and the moment caught in the picture is but a code for the viewer.
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Nana
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Nagy András, Emile Zola: Nana |
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Antonio Márquez Compani
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Antonio Márquez: Reencuentros, Movimiento Flamenco
The Antonio Márquez Dance Company
Márquez had learnt the basics of his dancing skills first at the school of the Spanish National Ballet, later with renowned Spanish masters. He rose to fame in his country with his leading roles in ballets, and his unique, soaring dancing style soon paved his way to an international career. His buoyant, passionate dance and his distinct choreographies make his performances unforgettable.
Márquez’s Dance Company made its debut on 7 November 1995, in Seville, at the Teatro de la Maestranza, staging the show „Movimiento Perpetuo”. In 1997 they won the Award Nureyev; a year later they were granted the Italian „Taranto Award for Best Entertainment” and the Spanish „Award for the Most Valuable Professional of the Dance”. As a consequence of their brilliant performance at the 50th Havana Festival, their name got inscribed in the Golden Book of the History of the Cuba Ballet”. From 1999 on, the Company has been touring the stages of the World, e.g. the Monte-Carlo Opera, Madrid, Athens, and Japan, Brazil and France and Hungary.
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Petruska 2009
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Petruska, music: Igor Stravinsky, koraographer: Dmitrij Simkin, James Sutherland, Díszlet, jelmez: Dmitrij Simkin, Jelmez kivitelező: Győri Gabriella, Asszisztens: Horváth Gizella, Müller Ervin, Fény:Hécz Péter, Szcenika: Vidos Tibor.
Táncolják: Petruska: Sebestyén Bálint Harangozó díjas, Mágus: Pátkai Balázs Harangozó díjas, Segédek:Dolbilov Alexey, Smith Daniel Ascher, Horváth M. Lilla, Gyurmánczi Diána, Továbbá a Győri Balett táncosai. |
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Vernal Victim 2009
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Vernal Victim: Music: I. Sztravinszkij. Choreography: Kun Attila. Costumes-Scenery: Molnár Zsuzsa. Assistant : Horváth Gizella. Fuch Renáta, Light: Kun Attila, Hécz Péter. Scenich: Vidos Tibor.
Dancers: Horváth M. Lilla, Sóthy Virág, Cserpák Szabina, Szalai Judit, Gonzales Otero Hassan, Varga Ágnes, Hardi Beatrix, Jekli Zoltán, Horváth Krisztián, Pátkai Balázs, Sebestyén Bálint.
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Tricks and Tracks
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Tricks & Tracks: Pál Frenák was born in Budapest, in 1957, and settled down in Paris in 1983. He established his own Dance Company in 1989, and made his first choreography in France the same year, titled “Ter”. In the following years, mainly staging improvisational pieces, he worked with György Kurtág, Patrick Schneider and several other contemporary composers. His first real hit was the Les Palets / Skate-boards; this show, just as all his other works, could be seen by the Hungarian audience as well, as part of the Budapest Autumn Festivals, or as individual performances.
Since 1998 Frenák has been working more and more in Hungary, the majority of dancers of his Company are Hungarian. The premiere of his last three shows (Out of the Cage, Tricks & Tracks and his latest, the Festen/Feast ) were held in Budapest, in the House of Contemporary Arts, the “Trafó”.
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